| mary; mary; quite contrary
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Rixes
| your eyes | 1 |
are old bones | 2 |
drenched in a bath | 3 |
of pigs’ blood | 4 |
and cooking oil. | 5 |
i want you only | 6 |
for— | 7 |
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i remember as we walked | 8 |
down the restless streets | 9 |
of gray new york, you | 10 |
with your briefcase, suit | 11 |
and tie—me at the morgue, | 12 |
studying the way the wind | 13 |
tossed your hair around | 14 |
| |
mary; mary; | 15 |
quite contrary. | 16 |
you are very | 17 |
lovely, mary. | 18 |
| |
. i carved | 19 |
a way for you so that | 20 |
the streets weren’t so | 21 |
teeming, for your delicate | 22 |
lips should not bare | 23 |
the foul breath of another. | 24 |
and b a r r e n | 25 |
those streets lay. | 26 |
you only forgot | 27 |
to thank me; | 28 |
but i forgave | 29 |
you, sculpting | 30 |
your eyes out of red | 31 |
clay and making a blue- | 32 |
print of your sullen face | 33 |
as graffiti up | 34 |
on the billboard | 35 |
walls. | 36 |
| |
mary; mary; | 37 |
quite contrary. | 38 |
will you marry | 39 |
me, oh mary? | 40 |
| |
you never heard | 41 |
my voice sailing | 42 |
down the hudson river, | 43 |
through the choking | 44 |
midnight smog, upon | 45 |
the branch-like slivers, | 46 |
which scraped against | 47 |
your bedtime window | 48 |
reflecting shadows | 49 |
of the willow? | 50 |
| |
mary; mary; | 51 |
quite contrary. | 52 |
are you wary | 53 |
of me, mary? | 54 |
| |
did you ever receive | 55 |
my gift, a thousand | 56 |
crimson roses wrapped | 57 |
in bloody garb and evening | 58 |
news against your concrete | 59 |
stoop? | 60 |
they didn’t come | 61 |
that way; i | 62 |
had to dye them my- | 63 |
self. | 64 |
| |
and the phonecalls at 5 AM | 65 |
do you remember them, | 66 |
inviting you to brunch | 67 |
for cheesecake and red | 68 |
wine? i’d listen | 69 |
to your sultry, morning | 70 |
voice and mimic it, | 71 |
wanting you | 72 |
to hear | 73 |
your beauty, | 74 |
then wait for the bluesy | 75 |
dial tone to play | 76 |
only to shoot it, | 77 |
and kill the phone. | 78 |
| |
mary; mary; | 79 |
quite contrary. | 80 |
drink some sherry | 81 |
slowly, mary. | 82 |
| |
but have i ever told you | 83 |
that your eyes are bloodier | 84 |
than two racks of beef | 85 |
hung for dead | 86 |
at the butchery? | 87 |
i want to watch them | 88 |
kiss them, | 89 |
stab them | 90 |
for more | 91 |
at the abattoir. | 92 |
| |
mary; mary; | 93 |
quite contrary. | 94 |
don’t you tarry; | 95 |
love me, mary. | 96 |
| |
don’t cry. | 97 |
i bring this pistol | 98 |
to ours heads only | 99 |
to open the doors | 100 |
to heaven | 101 |
where you and i | 102 |
will dance, eat the flesh, | 103 |
drink the blood. | 104 |
| |
mary; mary; | 105 |
quite contrary. | 106 |
board the ferry | 107 |
with me, mary. | 108 |
| |
i want you only | 109 |
for—myself— | 110 |
| |
mary; mary; | 111 |
quite contrary. | 112 |
you are very— | 113 |
will you marry— | 114 |
are you wary— | 115 |
drink some sherry— | 116 |
don't you tarry— | 117 |
board the ferry— | 118 |
i will bury | 119 |
you, oh mary. | 120 |
| i know it gets weak towards the end; a bloodfetish entry | 3 Jun 05 |
Rated 7.5 (8.3) by 8 users.
Active (8): 1, 5, 8 Inactive (19): 1, 1, 4, 7, 8, 8, 8, 9, 9, 9, 10, 10, 10, 10, 10, 10, 10, 10, 10, 10, 10, 10, 10, 10 (define the words in this poem)
(138 more poems by this author)
(7 users consider this poem a favorite)
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Add A Comment:
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Comments:
Wow. — claudia
sicko. perv. lover. dream. take me away, sweet rixes, i want to become one with you. you may be deranged, but i want you. beat me if you must, but make me your sex slave so i can share in your passion. — unknown
oh god.
this poem is amazing. i love it.
-CajunMoon — unknown
Rixes. Damnit!
I didn't know this was your poem on the first read.
I'm losing my touch.
But it is still amazing. — claudia
Rhein.
Claudia.
Marcela.
I love this... — Rhein
this is creepy. — unknown
You say you're SIXTEEN? Genuis. — unknown
i'll be your mary. i wish to kiss your brain for its magnificence makes our world worthwhile. afterwards, i desire only to fuck you like a wild animal. — unknown
Wow, unknown. That got a little out of hand.
Rixes, you are wonderful. — unknown
rate now, comment later — unknown
totally excellent and awesome. top rated. 10 — unknown
Eh. Pretty contrived if you ask me. — unknown
Damn. blew my mind. — unknown
Definitely have something here, but I really can't see why it's in the top ten, let alone number one. Good poem, but not great. Clever, I have to say. — Dead
O MAN i love this poem... your structure is awesome and the repitition is very effective in producing a mental image of what you are trying to project — Muzatsu
this poem is almost disturbing. i love it. — unknown
numbers 1 and 2. that is so cool. — CajunMoon
Well, you sure do put other poems to shame.
8, easy. — lieskilllies
i find it to be too mawkish for my taste. tho i liked 'mary; mary' bits. otherwise it's just flooding with all sorts of deep and dark sentences that doesn't impress me much. — mouthblock
This poem reminds me of Radiohead’s “creep”.
The voice seems a cross between a medical examiner, an sculptor, a butcher (killer), and a stalker—all of them insane.
Because I know this author does not normally have a problem with punctuation, I’m guessing that the perplexing use of dashes and seemingly haphazard indentation is meant to reflect the chaotic thinking of the subject. What it does for me (to me) is distract from the power of the imagery. I think that the indentation alone would be adequate; the dashes are headache inducing.
I think “blood(y)” is used too often.
I like the references to red wine and red clay. Seems the subject has quite the bloodbath in mind. — housepoppy
a taste of the meatmarket? — unknown
me above — opal
After this, I'm ashamed to think i could write. — Sandcrawler
just, wow. — DiVeRiGhTiN
MARRY MARRY YOU'RE QUITE HARRY. — unknown
this is def, a poem my 14 year old son would love. i think its great too, alot of visual, like a must see horror/romance film. good job. — crabbyoldbag
I'm enchanted. Thoroughly and completely enchanted. 10 & Favourite. — sit_and_wait
It's pretty weak all over. Too much repitition.
I don't like the use of 'mary mary quite contrary.' it comes off as cliche... as using song lyrics or what not in your poem. Not exactly original.
The rhyme scheme is atrocious! — ramher
Augh. With an e (repetition.) — ramher
shave your pussy its too damn hairy. — noodleman
Uh, noodle, what? I don't believe I have one of those, if indeed you were speaking to me.
Ramher, one can't appease all, can they? Thanks for commenting.
rxs — unknown
it's an old andrew dice clay riff.
i was just being silly, sorry for being so crass in your comments section.
i have impulse control issues i think.
:( — unknown
^me repenting above — noodleman
heheha i like — unknown
This is beautiful. I don't really like the repitition but the ending kind of wrapped it up a little. 10 and favoritized. — lonelygirl
i love the parts in italics, indeed, i read them three times before i read the other parts. great poem, although a bit too graphically disturbing for my liking. — inutile
you had to pick marys name, makes it sounds crazy. — tomasROCK
My name is Mary, but no one will every write as beautiful a poem for me, probably. It is enchanting, this poem. — hemothymia
and the phonecalls at 5 AM 65
do you remember them, 66
inviting you to brunch 67
for cheesecake and red 68
wine?
^ my favorite parttt . good poem — miteOFfakdIT
Wow.
I'm..in a state of shock.
I love this lots, but I have to admit that your punctuation needs work. Go through this and read it objectively and see if you can find your mistakes.
I'm loving the formatting.
-Mary — unknown
wow. first read 14 sept 07 — netskyIam
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