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mary; mary; quite contrary
Rixes

your eyes
 1
are old bones
 2
drenched in a bath
 3
of pigs’ blood
 4
and cooking oil.
 5
i want you only
 6
for—
 7
 
 
                i remember as we walked
 8
                down the restless streets
 9
                of gray new york, you
 10
                with your briefcase, suit
 11
                and tie—me at the morgue,
 12
                studying the way the wind
 13
                tossed your hair around
 14
 
 
      mary; mary;
 15
      quite contrary.
 16
      you are very
 17
      lovely, mary.
 18
 
 
. i carved
 19
             a way for you so that
 20
             the streets weren’t so
 21
             teeming, for your delicate
 22
             lips should not bare
 23
             the foul breath of another.
 24
                and b a r r e n
 25
             those streets lay.
 26
             you only forgot
 27
             to thank me;
 28
      but i forgave
 29
      you, sculpting
 30
      your eyes out of red
 31
      clay and making a blue-
 32
      print of your sullen face
 33
      as graffiti up
 34
      on the billboard
 35
      walls.
 36
 
 
mary; mary;
 37
quite contrary.
 38
will you marry
 39
me, oh mary?
 40
 
 
      you never heard
 41
      my voice sailing
 42
      down the hudson river,
 43
      through the choking
 44
midnight smog, upon
 45
the branch-like slivers,
 46
which scraped against
 47
your bedtime window
 48
reflecting shadows
 49
of the willow?
 50
 
 
             mary; mary;
 51
             quite contrary.
 52
             are you wary
 53
             of me, mary?
 54
 
 
did you ever receive
 55
my gift, a thousand
 56
crimson roses wrapped
 57
in bloody garb and evening
 58
news against your concrete
 59
stoop?
 60
      they didn’t come
 61
      that way; i
 62
      had to dye them my-
 63
      self.
 64
 
 
and the phonecalls at 5 AM
 65
do you remember them,
 66
inviting you to brunch
 67
for cheesecake and red
 68
wine? i’d listen
 69
to your sultry, morning
 70
voice and mimic it,
 71
      wanting you
 72
      to hear
 73
      your beauty,
 74
then wait for the bluesy
 75
dial tone to play
 76
only to shoot it,
 77
and kill the phone.
 78
 
 
                         mary; mary;
 79
                         quite contrary.
 80
                         drink some sherry
 81
                         slowly, mary.
 82
 
 
but have i ever told you
 83
that your eyes are bloodier
 84
than two racks of beef
 85
hung for dead
 86
at the butchery?
 87
      i want to watch them
 88
      kiss them,
 89
      stab them
 90
      for more
 91
      at the abattoir.
 92
 
 
             mary; mary;
 93
             quite contrary.
 94
             don’t you tarry;
 95
             love me, mary.
 96
 
 
don’t cry.
 97
i bring this pistol
 98
to ours heads only
 99
to open the doors
 100
to heaven
 101
where you and i
 102
will dance, eat the flesh,
 103
drink the blood.
 104
 
 
      mary; mary;
 105
      quite contrary.
 106
      board the ferry
 107
      with me, mary.
 108
 
 
                         i want you only
 109
             for—myself—
 110
 
 
mary; mary;
 111
quite contrary.
 112
    you are very—
 113
      will you marry—
 114
        are you wary—
 115
         drink some sherry—
 116
       don't you tarry—
 117
     board the ferry—
 118
   i will bury
 119
you, oh mary.
 120

i know it gets weak towards the end; a bloodfetish entry

3 Jun 05

Rated 7.5 (8.3) by 8 users.
Active (8): 1, 5, 8
Inactive (19): 1, 1, 4, 7, 8, 8, 8, 9, 9, 9, 10, 10, 10, 10, 10, 10, 10, 10, 10, 10, 10, 10, 10, 10

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(138 more poems by this author)

(7 users consider this poem a favorite)



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Comments:

Wow.
 — claudia

sicko.  perv.  lover. dream.  take me away, sweet rixes, i want to become one with you.  you may be deranged, but i want you.  beat me if you must, but make me your sex slave so i can share in your passion.
 — unknown

oh god.

this poem is amazing. i love it.
-CajunMoon
 — unknown

Rixes. Damnit!
I didn't know this was your poem on the first read.
I'm losing my touch.

But it is still amazing.
 — claudia

Rhein.

Claudia.

Marcela.

I love this...
 — Rhein

this is creepy.
 — unknown

You say you're SIXTEEN? Genuis.
 — unknown

i'll be your mary.  i wish to kiss your brain for its magnificence makes our world worthwhile.  afterwards, i desire only to fuck you like a wild animal.
 — unknown

Wow, unknown. That got a little out of hand.

Rixes, you are wonderful.
 — unknown

rate now, comment later
 — unknown

totally excellent and awesome. top rated. 10
 — unknown

Eh. Pretty contrived if you ask me.
 — unknown

Damn. blew my mind.
 — unknown

Definitely have something here, but I really can't see why it's in the top ten, let alone number one. Good poem, but not great. Clever, I have to say.
 — Dead

O MAN i love this poem... your structure is awesome and the repitition is very effective in producing a mental image of what you are trying to project
 — Muzatsu

this poem is almost disturbing. i love it.
 — unknown

numbers 1 and 2. that is so cool.
 — CajunMoon

Well, you sure do put other poems to shame.
8, easy.
 — lieskilllies

i find it to be too mawkish for my taste. tho i liked 'mary; mary' bits. otherwise it's just flooding with all sorts of deep and dark sentences that doesn't impress me much.
 — mouthblock

This poem reminds me of Radiohead’s “creep”.

The voice seems a cross between a medical examiner, an sculptor, a butcher (killer), and a stalker—all of them insane.

Because I know this author does not normally have a problem with punctuation, I’m guessing that the perplexing use of dashes and seemingly haphazard indentation is meant to reflect the chaotic thinking of the subject.  What it does for me (to me) is distract from the power of the imagery.  I think that the indentation alone would be adequate; the dashes are headache inducing.

I think “blood(y)” is used too often.  

I like the references to red wine and red clay.  Seems the subject has quite the bloodbath in mind.
 — housepoppy

a taste of the meatmarket?
 — unknown

me above
 — opal

After this, I'm ashamed to think i could write.
 — Sandcrawler

just, wow.
 — DiVeRiGhTiN

MARRY MARRY YOU'RE QUITE HARRY.
 — unknown

this is def, a poem my 14 year old son would love. i think its great too, alot of visual, like a must see horror/romance film. good job.
 — crabbyoldbag

I'm enchanted. Thoroughly and completely enchanted. 10 & Favourite.
 — sit_and_wait

It's pretty weak all over. Too much repitition.

I don't like the use of 'mary mary quite contrary.' it comes off as cliche... as using song lyrics or what not in your poem. Not exactly original.

The rhyme scheme is atrocious!
 — ramher

Augh. With an e (repetition.)
 — ramher

shave your pussy its too damn hairy.
 — noodleman

Uh, noodle, what? I don't believe I have one of those, if indeed you were speaking to me.

Ramher, one can't appease all, can they? Thanks for commenting.

rxs
 — unknown

it's an old andrew dice clay riff.
i was just being silly, sorry for being so crass in your comments section.
i have impulse control issues i think.

:(
 — unknown

^me repenting above
 — noodleman

heheha i like
 — unknown

This is beautiful. I don't really like the repitition but the ending kind of wrapped it up a little. 10 and favoritized.
 — lonelygirl

i love the parts in italics, indeed, i read them three times before i read the other parts. great poem, although a bit too graphically disturbing for my liking.
 — inutile

you had to pick marys name, makes it sounds crazy.
 — tomasROCK

My name is Mary, but no one will every write as beautiful a poem for me, probably. It is enchanting, this poem.
 — hemothymia

and the phonecalls at 5 AM  65
do you remember them,  66
inviting you to brunch  67
for cheesecake and red  68
wine?  

^ my favorite parttt . good poem
 — miteOFfakdIT

Wow.
I'm..in a state of shock.
I love this lots, but I have to admit that your punctuation needs work.  Go through this and read it objectively and see if you can find your mistakes.
I'm loving the formatting.

-Mary
 — unknown

wow. first read 14 sept 07
 — netskyIam

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