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too much c-span, I think
misspanda

it's like sitting in a crowd alone on liquid mercury,
 1
 
 
slip-floating across acres of silver moonshine going nowhere as fast as the stagnant air permits.
 2
 
 
(the tiniest jittering of the sideways see-saw causes chaos- was I going up? or down?)
 3
 
 
and this never-ending dead end has us running stuck
 4
 
 
searing ice dashes like molasses from the heavens below me and my eyes can't adjust to the noise of so many fluttering hands, desperately awaiting the grip of the gods they convinced themselves exist
 5
 
 
(all wanting to be greater than the pair of hands before them, only realizing too late that the next great pair has already replaced them)
 6
 
 
the pointlessness of the ritual is essential to the hands' well being,
 7
for without a greatness to achieve they have nothing.
 8
 
 
 
 
(nothing)
 9
 
 
 
 
so they flutter and flutter, promising to stop when  the lightning booms and the thunder lights up the sky, and making sure that the rest of creation understands how important their fluttering is,
 10
 
 
 
 
(because otherwise they would have no purpose)
 11
 
 
 
 
and the still wind rises the stagnant air even faster.
 12

19 Oct 05


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(28 more poems by this author)

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Comments:

a different opening,

L2 seems a little overblown; its difficult to absorb on first reading - it doesn't make a good entrance to the rest. Maybe it needs cutting, or spreading.

L4 is nice

L5 'cold heat like searing ice dashes like molasses from the... '-- 'cold heat' lacks originality and the use of 'like' twice bugs me. 'molasses' is good imagery, though i suggest maybe 'metal molasses' to give colour to the image. maybe change 'dashes' to 'dashed' for more style.

I also suggest changing 'attentions' to 'grip' to make it more specific to the subject and improve flow.

I really like L6, it's great use of parantheses, vivid and meaningful.

but then i think you lose it, mainly because you go on about the 'fluttering hands' way to much in the rest of the poem. If it were mine, to emphasise the poem as a dream by cutting to something else, random but relevant to the overall meaning or image or whatever. L6 is good enough to stand alone; when I read it I was expecting the narration to lead somewhere else on L7, but it fails to fly as it could.
 — b00

thank you.... i bow to your poetic genius

:-)
 — unknown

you're welcome. here's some more suggestions...

L2 change 'alone on' for 'set in' - I just don't like the juxtaposition of crowd and alone here, though the poetic attempt is commendable.

L3, end with 'allows' - it'll flow a bit nicer than 'lets it'

this succinct second half is better - though it still lacks any real kick to it; maybe it's just that I'm not sure what this poem means (though I enjoy it on a visual level at least). Care to explain?
 — b00

anything else?
 — unknown

sorry, formatting is too distracting, i'm shallow lke tht.
 — crepaway

oops all those unknowns were me...

:)
 — misspanda

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