| klug
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jjjjhyde
| when i showed up as a temp | 1 |
he'd already put in thirty years | 2 |
at the ryko factory | 3 |
in des moines iowa | 4 |
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the machine he operated | 5 |
took big pieces of stainless | 6 |
bent them into the frames of coin boxes | 7 |
for the large drive through car washes | 8 |
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i unloaded backbreaking shipments | 9 |
of raw iron, aluminum and stainless | 10 |
from the back of semis | 11 |
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klug's machine | 12 |
was right across from the area | 13 |
where we stacked the piles of metal | 14 |
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the other temp and i | 15 |
often sat idle for half an hour or more | 16 |
waiting on the next semi | 17 |
and i took notice of klug | 18 |
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he always wore the same | 19 |
camouflaged cabela's hat | 20 |
and took his lunch alone | 21 |
in the cafeteria | 22 |
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i even memorized | 23 |
his technique | 24 |
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red button three times | 25 |
yellow two | 26 |
brown once | 27 |
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between button pushings | 28 |
he folded his arms across his chest | 29 |
looked skyward in contemplation | 30 |
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i sat down across from him | 31 |
one afternoon | 32 |
in the cafeteria | 33 |
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my name is justin | 34 |
i held out my hand | 35 |
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he didn't extend his | 36 |
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listen, | 37 |
i kept on | 38 |
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i watch you sometimes | 39 |
at your machine | 40 |
you seem to be in deep thought | 41 |
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which is contrary | 42 |
to most around here | 43 |
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what are you | 44 |
thinking about? | 45 |
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he finished his bite | 46 |
of tuna fish | 47 |
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wiped his mouth | 48 |
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looked at me | 49 |
with white eyes | 50 |
they were white | 51 |
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you really | 52 |
want to know? | 53 |
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i nodded | 54 |
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he pulled a piece of notebook paper | 55 |
from his wallet | 56 |
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drawn on it | 57 |
were two red saucers | 58 |
stacked on top of each other | 59 |
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i'm designing the perfect | 60 |
hummingbird feeder | 61 |
he says | 62 |
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you ever had a hummingbird | 63 |
buzz | 64 |
right up underneath your nose? | 65 |
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well, let me tell you | 66 |
it almost makes sitting right here | 67 |
with you | 68 |
worth it | 69 |
| 3 Sep 06 |
Rated 7.3 (7.7) by 8 users.
Active (8): 1, 1, 8, 10, 10, 10, 10 Inactive (13): 5, 5, 6, 6, 7, 7, 7, 7, 9, 9, 10, 10, 10, 10 (define the words in this poem)
(12 more poems by this author)
(4 users consider this poem a favorite)
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Comments:
With a title like "klug", I had no idea what this was going to be about. I've been a social worker for 36 years, met a lot of people most of whom I liked. Strangely enough, I like "Klug", even if he seems a bit odd. After all, aren't most of us if you look deep enough? Nice work! — wamblicante
I love this poem its got a certain griitty reality that only comes from working poems Reminded me a lot of my favourite poets like Raymond Carver and Anthony lawrence who wrote about working in timbermills or on fishing trawlers etc. I love how you write using such simple evocative language.
Your ability to use dialogue to show character is great.
This is truly a great poem I rated you up a ten.
Forget the internet send it to the New Yorker! — Tentative
Brilliant observation - great read — dia
hahaha i luvv the endd...brillianceee.. — UrbanAng3l
this a great piece. very Bukowski-esque - not only in its form and style but in the subject matter too. echoes of the beat generation in here too with klug as a poor laborer character whose personality you manage to reveal beautifully here. cheers.
I think this could use a little trimming, though. I work rework stanza 1, particularly lines 1, 2, and 5. between lines 11 and 18, the reader can gather that you were a grunt temp laborer, so I don't think it's necessary to come out and say it in the first line. also, the date, to me at least, seems insignificant. I don't think there's any real reason to establish a firm time period here; I think it's information the reader could do without. L5, too - I like how you're setting up the specifics here - but keep in mind that the crux of the poem is klug and the factory; I'd rather see you go into more detail about him and the factory than the specific time and location. these are the strongest parts of the piece.
the last stanza felt a little out of place. it's not until here, at line 70, that you engage the reader directly in the second person. to me it felt sudden and forced. I like the sentiment here though - the idea that unraveling this character's more gentle side makes all of the grunt labor more tolerable - but I would approach this in a different way than suddenly introducing a "you" here.
overall a very good piece. you kept my interest until the end, and you did a great job of presenting both your character and the setting. — theair
It would be so much easier to read if you laid it out like prose. — unknown
it might work better as a short story. i thought fdostoev2 wrote this? — unknown
Arg. Capitalize. Please. — Pillbox
isn't l70 klug addressing the writer?? that's how i read it, and i'm therefore still an observer of the scene. punctuation might clear up the ambiguity :-p
great read, thanks — oracle
This is just prose. — CrunchyWeta
loooooooove this. totally unexpected ending. brilliant. — caustic
We're all just making tents. This is a great story. Is it a poem? I'm too tired this morning after Labor Day to care. — Isabelle5
After reading this further, I would have to agree with "theair" about the date, it seems unecessary. Taking it out tightens this piece significantly. Also in line twelve "backbreaking" is implied, so I think it works better if this is left out.
and in line 24 I am not entirely convinced about "took" instead of "ate". The word contrary stick out like the dogs proverbials on line 45, actually I have the feeling that you could take out line 45 and 46 without injury to the poem. Also line 54 should be cut as well. And line 58 - "I nodded" this is implied as well, just cut the line. also line 69 comes across as a speech tag and can be taking out.
I still really like this poem - now publish and be damned. — Tentative
This could definitely be condensed and at first seems more like a rant or a poem read at a shout-out...but definitely improved toward the end. If you can convey this in less words, please do. I know it can be done. All these words may seem necessary, but probably aren't. Nice, well-written poem however. — MrChris
All,
thanks for reading.
Justin. — unknown
brilliant. thats amazing. ahh!! — topop
Interesting, although I found it a bit long and was kind of losing interest through the middle. Not sure if this is a poem but I still liked it. More capitals are needed especially 'I' for example line 64. — propoet50
I love this poem, from start to finish.
A hummingbird once flew right up to my mouth,
apparently attracted to the red lipstick I was wearing.
We made eye contact while he floated there in front of me.
I relate to Klug ;-) — Krttika
I definitely think this could use some trimming down, there seems to be excess here, bt I'm not sure if it's what you say, or the way you say it.
That said, this piece gives some real depth to a character we were never quite sure of up until that last moment. I don't see the end as, er, funny, as some people seem to, but I think it's brilliant all the same; It changes this man from a one-dimensional construction thug to, well, human. It's beautiful. — WindingRhyme
Truly fine enigmatic poem which looks at so many issues surrounding repetative labour — larrylark
all,
thank you for the comments and suggestions.
Justin. — jjjjhyde
great poem, it took me right in - lovely turn at the end — kendell
read this out loud. i love it out loud. it's like you're there telling it. — yellowbird
the last half became good poetry after a too narrative first half — poetbill
I love it! :) — CNC92
not backbreaking! You killed me with backbreaking! It was going so well and I had to stop! No pity! Just cut the word and we can be friends, man, say heavy or an exact amount, but no no pity — bykguy2000
down where the humming bird goes to die
contemplate — unknown
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