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In Her Wake
uncjaf

My father
 1
forgot his daughters' names
 2
as he trapped dangling arms  
 3
beneath his burning belly,
 4
a pulsing candle in the
 5
abeyance of our Mother's death.
 6
 
 
His mouth simmered and split
 7
in that backward way.
 8
Mum, at your bedside, prayers
 9
slipped our skin: "unloose us," we cried.
 10
 
 
Little nothings,
 11
we slept like dogs, half-used cunts.  
 12
Sunday angels in public,
 13
white-ribbons and swollen flesh,
 14
little pieces of you:
 15
 
 
Ann. Me. Elizabeth and poor Sara.
 16
 
 
Was Sara dragged in by her hair?
 17
The dusty sole of her red-ruby slipper
 18
tapping dull-verse into the hardwood?    
 19
 
 
Did we hear Mother's name
 20
before they left us?
 21

28 Dec 07

Rated 9.5 (9.5) by 2 users.
Active (2): 10
Inactive (2): 9, 9, 10

(define the words in this poem)
(16 more poems by this author)



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Comments:

wonderful. restrained and perturbing writing. a graceful blend of descriptive and narrative.

I'm not certain that ",for example," is required and daughters' ( l 4) requires the apostrophe after the "s" I think many editors would jump at the chance of publishing this.
 — banditfemme

in total agreement with bf, only more decded about ditching the "for example"

*nodding, nodding*
 — gem_grrrl

banditfemme, gem_grrrl, thank you for your suggestions...I decided to take out "for example," which I'd been thinking about for a bit even before you suggested it. Let me check out some of your poems.
 — uncjaf

changed the title
 — uncjaf

wonderful...
very piercing. I'm not sure there is one single thing that could be improved here.
 — madderhatter

Yes it is wonderful. I am not really sure what actually happens, and I believe this poem puts a spell on me as I read it, but I do get the gist of things...
and that's my fault really. And I find it peturbing but perhaps 'restrained' isn't right...in terms of emotional outbursts and such, sure, but the tone is hard-edged and biting. 9-10. "half-used cunts" and so on...

Are Elizabeth and Sara meant to be connected? Is the division there in L18 intentional?
And I very much like the Wizard of Oz reference there. Very apt.

"(he liked this)"- I found that particularly distracting and I believe it upsets the flow but perhaps is necessary.
I think the voice is well controlled, not too expository or whiny as it could have been. Thanks for writing this.
 — friedMnoodle

the daughters are being raped by their father after their mother's death/or *suicide (this was ambiguous). this is based on a true and terribly disturbing occurrence. the father, in his delusion, calls the girls by his dead-wife's name...in the poem, this is what the question posed by the narrator at the end of the poem is referencing. generally i don't like to explain poems, as I think it takes away from the experience of the reader, but this is an ambiguous poem, so I hope this helps some.
 — unknown

that was me, sorry.
 — uncjaf

tighten it up  a  tad and it will be brilliant


st3ntorian
 — unknown

very nice
 — unknown

very very nice, good-use of disturbing images, good rhythm
 — GriffinK

good poem. brilliant title.
 — varun

it's easy to write a poem about this kind of thing
but it's difficult to capture properly, without offending,
yet still reaching people in emotional and sometimes disturbing ways.  

you've done a great job on this.
jen-
 — jenakajoffer

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